Do you know how excited I was to see Mikal Cronin play here in Seattle last night? VERY MUCH, I WAS. I had waited with great patience since seeing him perform his own material on 2012's Bruise Cruise, when I was so super-thrilled that I went up to the pleasant, shaggy-haired lad afterwards and babbled my enthusiasm in what I suspect was a particularly froth-mouthed, googly-eyed way. Do you know WHY I was so excited? Because I was thinking, man, this guy is a marvelous songwriter and things are going to go very well for him...if only enough people know about him. "Come to Seattle!" I implored him, "I will bring everyone I know! I will...I dunno, bake a cake! Anything!" Bless his little Cronin heart that he didn't have the red-haired photographer woman tossed off the ship into the Atlantic for over-fan-ing.
Actually, I've seen Mikal quite a lot since February 2012 and now -- playing bass for the perpetually-touring Ty Segall, another one of my very-favorites. He and Ty, friends of long-standing, have tremendous chemistry and rapport onstage, mirroring and complementing each other perfectly, which makes for exciting and rock-solid shows. I waited and waited to hear when there would be a follow-up album to Cronin's wonderful self-titled 2011 solo debut, and as the months passed by without much word, I admit, I was gettin' a little worried. But that was silly thinkin', Lincoln, because if I can hear what a talent this dude is, you betcha other people can too. Cronin was signed to indie giant Merge Records, which just released MCII, a sparkling collection of classic pop songs, with enough of that garage rock edge to add spice to the sweet. Cronin has done his songwriting homework (quite literally, as he recently graduated from the California Institute of the Arts with a music degree), yet what he produces sounds amazingly fresh, and not at all studied. Hooks? Tons. Harmonies? Delicious. Melodies? Memorable. Lyrics? Smart and personal. He just knows what goes into making a great song, ones that people want to sing along with and listen to over and over again.
I arrived at the Tractor Tavern in Ballard just as locals Dude York were playing the last notes of their set, late after lingering over dinner at Bastille with my friend Kitty, pardonnez-moi. Before going to the front to shoot, I stopped at the merch table where Mikal was merching, because any touring musician knows: A.B.M. (Always Be Merchin'™, Finberg/Welbourne). I picked up a single, re-introduced myself, and had a nice chat which included me asking him to draw a dog in a party hat on the single. What a cute doggie!
I mentioned that I thought it was really brave to release a prettier, poppier, and more complex album that perhaps people most familiar with him via Segall or his earlier work with in the Moonhearts and other fuzzed-out bands would expect. He nodded. "It's a little scary," he admitted, as he put the finishing touches on the party pup. But that's another thing I like and admire about Cronin -- he made the record that he wanted to make. Many artists in his position would not have had the guts.
I managed to squeeze in to get a good photo spot in the front of the stage as Shannon and the Clams were setting up. I had also seen Shannon Shaw at Bruise Cruise as part of the "garage rock supergroup" The Togas, but had never seen her with her own Clams before, so's I was all stoked. Shannon has one of those gritty, original rock n'roll tough-femme voices -- think Wanda Jackson or Brenda Lee with deeper oomph. The Clams head straight into the stripped-down heart of rock and give it a quad-bypass in the process. There's a little rockabilly, a smidge of doo-wop, a touch of early-'60s girl group, and a commercial-sized dumpster full of raw punk, too. They've just put out a new album on Seattle-based Hardly Art called "Dreams in the Rat House," so check it out!
(As always, click on the photos to enlarge and click on the Flickr set link for more photos!)
What can I say without going further into full froth mode again?? Mikal Cronin and bandmates just ROCKED! The wait was more than worth it, and the band delivered a joyous set that had everyone (including me) dancing and singing along the whole time. YouTube uploader Thomas Bombach recorded this, "Weight," from MCII! Dude musta been exactly to my left. Thanks, Thomas!
Thank you so much Michelle Cable at Panache Booking, Tractor Tavern, Kitty Page Amsbry, Shannon and the Clams, and Mikal Cronin and band! Come back sooner!!!
I'm Marianne Spellman. I am in Seattle-ish. I like and make music and words and photos and videos and coffee and have crappy eyesight, like every other blogger. I do freelance thingies for cool people and places every so often.
How To Choose A Democrat Nominee For President in 2020: 1. Candidate Aligns With Your Personal Values 2. Candidate Is Personable and Well-Funded 3. Candidate Is Maybe Not An Old White Man 4. Candidate Is Of Fine Character 5. The Person Who Will Beat The Orange Moron So Thoroughly That He Will Deflate Into A Gooey Melted Circus Peanut
"Twenty Feet From Stardom" film (June 4, 2013 via Facebook): "We love this review!!"
Ko Melina, The Dirtbombs, SIRIUS XM Underground Garage DJ (September 6, 2012, via Twitter): "Awesome #Bumbershoot photos of the @DirtbombsBand by @mariannesp..."
Kathy Valentine, The Go-Gos (August 23, 2011, via Twitter):
"Cool blog review & candid concert pics that capture the day perfectly!"
Bill Oglesby , Saxophonist, "Coronado," Deerhunter, Halcyon Digest (February 16, 2011, via YouTube):
"Hi Marianne, I'm the sax player on this cut and I've been enjoying this wonderful video collage that you put together for months.
I consider it quite an honor that you chose Illinois Jacquet to represent me not that I would compare my playing to his in any way, but Jacquet was a real soul-cat.
Thank you."
Keith Gordon, Co-Star & WM BFF, "Winnebago Man" (July 11, 2010, via Facebook):
Without doubt, the BEST and only original music with 'Bago bytes remix ever done. So this is what I get to hear swirling around in my head for the next few days? Welcome aboard; I'm delighted!"
Joel Heller, Producer, "Winnebago Man" (July 11, 2010, via Facebook):
"We love your song Marianne."
Ira Robbins, Trouser Press (March 20, 2010, via Facebook):
"great piece of writing. i liked the film better and the band less, but no matter. this is top-notch cultural criticism. give this woman a job!"
Chris Walter (Feb. 15, 2010, via Diarrhea Island):
"Nice piece, thank you. And thanks to Graham. I think all the photographers had a great time up there, it is an excellent book and exhibition.
Thanks
Chris"
Graham Nash (Feb. 8, 2010, via Diarrhea Island):
"Thanks so much for your very perceptive review of the show at the EMP...... Let's not forget to give thanks to Paul Allen and the people of Seattle for supporting the arts....
Again, well done."
John Cleese (Nov. 4, 2009, via Facebook):
"Nice review of the show by a real person."
God (Aug. 28, 2009, via Twitter):
"Listen, honey, if you weren't a chick you would so be smote right now."
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