1964: I am the World’s Youngest British Invasion fan. Barely
out of diapers, I cling to my AM transistor radio like a comforting blankie,
and the airwaves at this time are ruled by the Beatles, the Rolling Stones, the
Dave Clark Five, the Kinks, the Yardbirds, Freddie & the Dreamers, Gerry
& the Pacemakers, and the Animals. My parents, 40 years older than me,
largely dismiss it all as garbage and noise, preferring Big Band swing. The one
British Invasion song my father never flips off the car radio is “The House Of The Rising Sun,” by the Animals. “Boy’s got a good voice,” he would say, and I
would be thrilled, like I had won one for the team.
1966: I beg, cry, and plead until my frustrated teenage
babysitter gives me her 45 copy of the Animals’ “See See Rider.” I play it over and over and over and over
until no one can stand it anymore. I still own it.
1967: Between the Beach Boys, Gidget, and Eric Burdon &
the Animals’ “San Franciscan Nights" and “Monterey,” I decide that my family
should move from Wisconsin to California as soon as possible. This never
happens.
1970: I lay on my back on the green grass of my front lawn,
staring up at the puffy white clouds. Next to me, still, my radio, playing
“Spill The Wine.” It’s a huge hit, and the radio station plays it often. Each
time, I listen intently, trying to figure out what on earth the words mean. I
never really do, but hearing Eric Burdon’s familiar voice again makes me happy.
And I guess that gives you an idea why I was so excited to
be able to see Eric Burdon and the Animals play live this past Sunday at
Snoqualmie Casino’s Mountain View Plaza. He’s been with me my whole life.
The casino is set on a beautiful piece of land, surrounded
by mountains and huge pine trees. I got there early to check out the venue for
photos – something I always like to do my first time shooting in any new place.
I had been stressing about the day’s gloomy drizzle which had been threatening
to turn into full out rain, because the Mountain View Plaza is a rain-or-shine
gig. The security staff gave each concert attendee a blue plastic
rain poncho, and were exceptionally friendly and helpful. Here’s my view from the
pit before the show, if you’ve never been in a pit. Pro tip: watch your
footing; it’s easy to trip over cables, scaffolding, and other photographers if
you are goofy like myself.
The rain stayed at a doable drip, and the band appeared
onstage at 6PM to a very happy audience, most of whom had years on me. I don’t
know how you’d term it, but when I see a woman in her 70s, in a wheelchair, in
the rain wearing a blue plastic rain poncho, singing as loudly as she can,” It’s my life, and I’ll do what I want, it’s my mind and I’ll think like I want,” I
call that a pretty hardcore rock n’ roller there.
Eric, sporting Ray-Ban shades and a wicked sharp haircut,
was in spectacular voice. All the power and emotion, still there, always by far
the best of the Brit blues singers, I say. He is one of those natural-born
vocalists, like Mavis Staples, Marvin Gaye, or Bono. That voice just comes out
all big and booming and beautiful. He easily interacted with the awe-struck
crowd, and often picked up a cowbell or tambourine to add to the ultra-pro
Animals (Billy Watts, guitar, Brannen Temple, drums, Red Young, keyboards, and
Terry Wilson on bass) who seemed to be having just as grand of a time. (You can click on the photos to bring them up full-size, or see them here on Flickr, too.)
After I finished shooting, I made my way to my seat for the
rest of the show, and looked around me at the crowd. There were people here who
were stoked to see Eric, let me tell you, just stoked, including the ones who
had to dance along so much that they moved their groove to the sidelines as to
not block anyone else’s view. There were lots of standing o’s, and singing
along, and fists pumping into the air, punctuating the lyrics felt the most. No
Washington concertgoers were going to let a little moisture get them down!
After the hour-long set and a generous encore featuring some
extended solos by the band members, the band left the stage for the evening. As
the people filed out of the Mountain View Plaza, I noticed how so many of them
had huge smiles and were giddily discussing the show with their friends. My
snapshots of Eric Burdon and the Animals now are not the warm, faded, memories
of my childhood, but 1’s and 0’s stored on a digital memory card. I think if my
dad had been able to be there with me at the show, there is no doubt what his
review would have been.
“Boy’s got a good voice.”
Many thanks to Eric Burdon and the Animals, Marianna
Proestou, and everyone at Snoqualmie Casino for a great evening.
I'm Marianne Spellman. I am in Seattle-ish. I like and make music and words and photos and videos and coffee and have crappy eyesight, like every other blogger. I do freelance thingies for cool people and places every so often.
How To Choose A Democrat Nominee For President in 2020: 1. Candidate Aligns With Your Personal Values 2. Candidate Is Personable and Well-Funded 3. Candidate Is Maybe Not An Old White Man 4. Candidate Is Of Fine Character 5. The Person Who Will Beat The Orange Moron So Thoroughly That He Will Deflate Into A Gooey Melted Circus Peanut
"Twenty Feet From Stardom" film (June 4, 2013 via Facebook): "We love this review!!"
Ko Melina, The Dirtbombs, SIRIUS XM Underground Garage DJ (September 6, 2012, via Twitter): "Awesome #Bumbershoot photos of the @DirtbombsBand by @mariannesp..."
Kathy Valentine, The Go-Gos (August 23, 2011, via Twitter):
"Cool blog review & candid concert pics that capture the day perfectly!"
Bill Oglesby , Saxophonist, "Coronado," Deerhunter, Halcyon Digest (February 16, 2011, via YouTube):
"Hi Marianne, I'm the sax player on this cut and I've been enjoying this wonderful video collage that you put together for months.
I consider it quite an honor that you chose Illinois Jacquet to represent me not that I would compare my playing to his in any way, but Jacquet was a real soul-cat.
Thank you."
Keith Gordon, Co-Star & WM BFF, "Winnebago Man" (July 11, 2010, via Facebook):
Without doubt, the BEST and only original music with 'Bago bytes remix ever done. So this is what I get to hear swirling around in my head for the next few days? Welcome aboard; I'm delighted!"
Joel Heller, Producer, "Winnebago Man" (July 11, 2010, via Facebook):
"We love your song Marianne."
Ira Robbins, Trouser Press (March 20, 2010, via Facebook):
"great piece of writing. i liked the film better and the band less, but no matter. this is top-notch cultural criticism. give this woman a job!"
Chris Walter (Feb. 15, 2010, via Diarrhea Island):
"Nice piece, thank you. And thanks to Graham. I think all the photographers had a great time up there, it is an excellent book and exhibition.
Thanks
Chris"
Graham Nash (Feb. 8, 2010, via Diarrhea Island):
"Thanks so much for your very perceptive review of the show at the EMP...... Let's not forget to give thanks to Paul Allen and the people of Seattle for supporting the arts....
Again, well done."
John Cleese (Nov. 4, 2009, via Facebook):
"Nice review of the show by a real person."
God (Aug. 28, 2009, via Twitter):
"Listen, honey, if you weren't a chick you would so be smote right now."
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